David Edgar - Charcoal Drawings
Additional information
Waynes_speech_-_Charcoal_is_ancient_material.pdf
News
The Inspiring Southern Landscape
Both David Edgar and Jane Bamford are deeply interested in process and place and it...read moreThe Tasmanian Landscape Opens In Hobart
The new exhibition at Handmark Hobart has seen the collaborative...read moreDavid Edgar Wins Prestigious Residency
All of us at Handmark are delighted to share the news that Hobart-based artist David Edgar has edged...read moreMy work is fundamentally about an interest in drawing. Working exclusively with charcoal on paper and large in scale, I explore the physicality of drawing aspects of place and landscape, identified through notions of place theory. Specifically the drawings reflect intense and prolonged experiences within place and the significance of one’s selfhood against natural immensity. Within this I explore atmospheres of isolation, imprisonment and entrapment, and expansiveness in an antagonism of place exemplified in obsessive scribbly techniques that dominate and simultaneously articulate the pictorialism in the work. The place that informs the subject matter for this body of work is Tasman Island, located off the southeast coast of Tasmania. Visiting and drawing the place alike engenders within me a deeper connection to place and the natural environment and after 10 years of travelling to it I feel like this connection is still young but with time it reveals itself more and more each day.
Available
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Canyoneer - SOLD |
Day of night - SOLD |
Grasping the unknown sketch - SOLD |
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Inner void - SOLD |
Insidious delusion - SOLD |
Out of space - SOLD |
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Overground Lament 2013 - SOLD |
Phantom moonrise - SOLD |
Looking In - SOLD |
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Left Behind 01 - SOLD |
Left Behind 03 - SOLD |
Left Behind 04 - SOLD |
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Left Behind 08 - SOLD |
Left Behind 09 - SOLD |
Left Behind 12 - SOLD |
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Left Behind 14 - SOLD |
Left Behind 20 - SOLD |
Left Behind 22 - SOLD |
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Leaving behind 30 - SOLD |
